Wednesday, June 28, 2017
I do like how the chains of solids stand out and melt in with the various contrasts.
Block finishes 8 inches
Print: two 4 1/2 inch squares, four 2 1/2 inch squares
Solid: four 2 1/2 inch squares
98 blocks set 7 by 8, measures about 65 by 75 inches
12 half blocks (I cut the triangles with grain to edge of quilt)
14 setting triangles
Monday, June 26, 2017
Our cousin Gerald spoke for our family at my father's funeral five years ago.
After the funeral, my mother and sisters and I decided we wanted to give him this pair of quilts that I had made in the late 1990s for my father and my father-in-law. They were made using a Judy Martin design called Fathers' Day.
One quilt was at my house and one went with mom for several moves over the five years. We kept referring to them as "Gerald's quilts" and it was time they got to him.
This spring it finally happened. They look great in their new home!
Saturday, June 24, 2017
The solids and prints quilts have been a wonderful way for me to revisit deep stash as we have prepared for our move.
I like them as they give me a focus. I figure out what block to work with, and, with repetitive cutting and sewing, a new quilt results.
I do look forward to something else taking my interest soon. Until then, this continues.
Completed so far: (not all photographed and posted yet as some have been packed up already)
geese in flight
Tops awaiting quilting:
Cut and kitted for sewing while on the move:
unit blocks peter/paul
Sample blocks made:
Wednesday, June 21, 2017
Looks like the ones being installed at our new place!
Block finishes 7 inches
Solid: one 4 1/2 by 2 1/2 inch rectangle
Print: one 7 1/2 by 4 1/2 inch rectangle, one 7 1/2 by 1 1/2 inch rectangle, one 2 1/2 by 1 1/2 inch rectangle, one 2 1/2 inch square
A simple block and goes together fast.
My design. Use at your pleasure.
Tuesday, June 20, 2017
I love any block with the robbing-peter-to-pay-paul fabric placement and like how it is similar to the unit blocks one, but with a rectangle finish.
Block finishes 6 by 12 inches
Solid: one 6 1/2 by 2 1/2 rectangle, three 4 1/2 by 2 1/2 rectangles
Print: one 6 1/2 by 2 1/2 rectangle, three 4 1/2 by 2 1/2 rectangles
Sew the sets of three 4 1/2 inch rectangles and press to the solids, then sew together
Sew on the end 6 1/2 inch rectangles
Press whole block to the side with the solid rectangle
We are a few weeks away from moving and I have been kitting up projects for the transition time between homes.
Monday, June 19, 2017
I'm working in solids.
The bordered blocks now measure 4 inches, will finish to 3 1/2 inches. The tiny center blocks finish 1 1/2 inches.
This is way too much work.
And way too much fun.
Friday, June 16, 2017
I made it in 1999 using scraps from mom's and from her mother's sewing.
The pattern was in an early Fons and Porter magazine.
Beth uses waste triangles to make a legend of the origin of each fabric.
Friday, June 09, 2017
The blocks were made with a 2016 sew-a-long on Temecula Quilt Co.'s blog. I made double the blocks assigned each week and deviated from the directions by setting the blocks straight rather than on point. I finished with a 3 inches cut plain border.
It is rather somber in photographs, a bit more lively in person.
The medallion blocks finish 2 1/2 inches. The main blocks finish 3 inches.
57 by 69 inches.
Thanks, Temecula Quilts, for the very enjoyable sew-a-long! Each week was a gift.
Saturday, June 03, 2017
It is made with unit blocks, twice as long as wide, the proportion of kindergarten wooden building blocks (and tatami mats).
I used this same block (smaller scale, finished block was 4 inches) in a quilt in 2013 with a more random scrap placement.
This time it is in a robbing-peter-to-pay-paul fabric placement.
I have seen a similar block online several places, usually made with several sizes of pieces.
It is all made with unit blocks, cut 2 1/2 inches by 4 1/2 inches, to finish 2 by 4 inches.
Four solids and four prints.
A 2 1/2 inch strip exactly 18 inches of fabric yields the pieces for one block. More fabric is needed if you are dealing with directional prints.
Block finishes 8 inches.
Construction works best when piecing two blocks.
Sew the center column and press all towards the solid end rectangle.
Sew the side pieces pressed to the print.
Block A press to center column.
Block B press away from center column.
Then, sew the two blocks together nesting the seams.
Sew into rows and the whole quilt should nest.
(I've only made the four blocks above, so we will see...)
Our time between homes will involve a wandering existence for a while, so I am cutting this and a few other projects that I can work on wherever I set up my machine.
I do have a commission due the end of the month that will take most of my creative energy and sewing time.
Note to self: no more commissions.
Friday, June 02, 2017
After the on-point version with 6 inch blocks (making it a times symbol) I decided to make a straight-set positive quilt.
I needed to have a positive mindset and fit the piecing in while in the final preparation time for putting the house on the market. During the showing weeks, when we had to keep the house tidy and not being a tidy sewer, I could do little sewing but did sneak in constructing a few blocks here and there.
These blocks are based on the Tula Pink block, but with slightly different proportions.
143 blocks set 11 by 13
82.5 by 97.5 inches
Block finishes 7 1/2 inches
Solid: one rectangle 6 by 3 inches, two rectangles 2 by 3 inches
Print: four squares 3 inches, four rectangles 1 1/2 by 3 inches
My design with a block adapted from Tula Pink.
Use at your pleasure.